On the night of November 7, 2016, Leonard Cohen died at his home in LA. That night, coincidentally, I was in Montreal, his home town, to do a reading as part of Vallum Magazine’s Issue 13.2 – The Wild launch at Bar Sans Nom/The Emerald Bar on Av. du Parc. I didn’t hear about his death until I left Montreal. I was off the grid, taking long walks and savouring my time in a city I fell in love with in part because of Leonard Cohen. Earlier on the 7th I had walked past the Parc du Portugal next to where he lived for 40 years and paid tribute in my own way (“As the mist leaves no scar on the dark green hill…)
I have enjoyed his music for many years and his poetry in the last few decades. I appreciated that he existed. I admired his view about the sacredness of language and the rituals he adapted for his creative and spiritual practices, often one and the same thing. And while it isn’t in vogue right now, I admired his reputation as a ladies’ man. I related to it. I have always wanted such a term for myself, but a mens’ lady doesn’t have the same ring to it and anyway, I’m no lady. I also adore Montreal and would live there were I single and young and capable of regularly climbing stairs and mountains on a full stomach of red wine, espresso, garlic laden everything and pastries.
On November 8, I returned home to Ottawa where I heard of the news of his death and later that night the dreadful news of the American election. For the rest of the week, these two stories would follow one another on CBC Radio, which I was listening to for tributes to one of Canada’s greatest and most well known poets and song writers. It was a strange combination of grief, grieving for Canada and those who loved Leonard, while also grieving for our neighbour to the South, to see the death of liberal and compassionate values as a megalomaniacal authoritarian rose to power, or at least to sense that this is the way it was going to be.
On the tv and in social media I saw photos of tributes, candles and cards and flowers heaped up against the door of Leonard’s house in Montreal and in Parc du Portugal. I listened to people singing Hallelujah and waving candles, coming together to share theirgrief.
Two years later, I still feel the lack of this enormously talented artist and I’m still grieving for the state of a world without Leonard Cohen, David Bowie and many other great musicians and artists. And I link this lack of great and creative spirits to the death of kindness, openness, generosity that I associate with the results of the 2016 election in the USA.
When the opportunity came up to write something for the Blasted Tree’s flash haiku contest the weekend of July 7-8, a haiku about Leonard Cohen was the first thing that came to my mind. It was a Saturday night, I was noodling around on FaceBook, trying to ignore all the bad news of what the Ogre in the House of White is doing, of what Ontario’s own Ogre is going to do and I don’t know, maybe my ITunes shuffle landed on a Leonard Cohen song.
I’m thrilled that it was chosen as the winner of the contest and for publication.
If you’d like a copy of the haiku, please visit http://www.theblastedtree.com/store/flashhaiku3 to acquire a copy of the haiku as a lovely mini-leaflet or just to read it. I hope he would like it.
Shortly after he died, I was attending the Sawdust Reading Series, the bartender accepted a request to make Red Needles, Leonard Cohen’s favourite drink, which he created: tequila, cranberry juice, ice, and lemon. Many of us had brought in his poems to read during the open mic. It was a good night. If you are an alcohol drinker, please toast with your own Red Needles cocktail (or a mocktail, if not) and know that I’m toasting back.