Travis
MacDonald offers up a work-intensive prompt that requires building source material
from books on our shelves by starting from the left hand side of our shelving
units, picking the tenth book, typing in page 10 of every 10 books until we
have 10 pages of transcribed text, then deleting duplicate words via the search
function on our word processors.
My
source books were all poetry:
1.
Jan Allen, Personal Peripherals
(Buschek Books, 2006)
2.
Elizabeth Bachinsky, The Hottest Summer
in Recorded History (Nightwood Editions, 2013)
3.
John Berryman, selected poems. kevin
young, editor (American Poets Project, The Library of America, 2004)
4.
Stephanie Bolster, White Stone – The
Alice Poems (Signal Editions, Véhicule Press, 1998, Fifth Printing, 2005)
5.
Tim Bowling, The Thin Smoke of the Heart
(McGill-Queen’s University Press, 2000)
6. Mobility of Light, The Poetry of
Nicole Brossard selected with an introduction by Louise
H. Forsyth (Laurier Poetry Series, Wilfred Laurier University Press, 2009)
7.
Stephen Cain, I Can Say Interpellation.
With art by Clelia Scala (BookThug, 2011)
8. An Oresteia,
translated by Anne Carson, Agamemnon by Aiskylos, Elektra by Sophokles, Orestes
by Euripedes (Faber and Faber, Inc, 2009)
9.
Margaret Christakos, What Stirs
(Coach House Books, 2008)
10.
Victor Coleman, The Occasional Troubadour
(BookThug, 2010)
What
surprised me was how little repetition there was. Mostly function words. I was surprised
to see God and love only once, for example.
Thank
you to Travis for this prompt. It was a long process but quite meditative. I
rediscovered some gems on my shelves. I thought a lot about language as I was
typing in the poems and as the duplicates were disappearing. I found some
intriguing and resonant juxtapositions, like “delicious body god bells” when
the language from one poem collided into the next. When I put all the reduced
text together in a big chunk, it occurred to me that if I sliced sections off
the chunk, I would get some interesting combinations: “crass lapspark” and “lived
rat.” In the end what I liked most was the possibility for sculpture, so that’s
what I made.
Thank
you to all the poets who provided, albeit unknowingly, the text for this
experiment. One of the things I love about these prompts is that it offers new
ways of engaging with a work to create something new.
Play
along!
For those of you who are just joining us, The Found Poetry Review is celebrating National Poetry Month by offering daily experimental writing prompts from writers. I will be responding to them at poetic whim.
For those of you who are just joining us, The Found Poetry Review is celebrating National Poetry Month by offering daily experimental writing prompts from writers. I will be responding to them at poetic whim.
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